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A Sermon for St Cecilia, Patron Saint of Musicians – Victoria Johnson, Canon Precentor

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A Sermon for St Cecilia, Patron Saint of Musicians

Victoria Johnson, Canon Precentor

Readings: Psalm 106:1-12, Song of Solomon2:10-13; 8, 6,7 and Revelation 14:1-3

To the glory of the one and only living God, Father, Son and Holy Spirit. Amen.

Blessed Cecilia, appear in visions to all musicians, appear and inspire; translated daughter, come down and startle, composing mortals with immortal fire.

Some Verses from WH Auden’s ‘Anthem for St Cecilia’s Day’.


The Twenty-Second of November, is a day when musicians herald St Cecilia as their patron. She has long been the muse of poets and artists, and she is often cast as a romantic figure harping upon a harp, or sensuously playing the pipe organ, I believe that is not impossible, whilst also proving that girls can play the organ too!

According to ‘tradition’, Cecilia sang with all her heart at her own wedding, at which she committed herself to remain a perpetual virgin. She is then credited with converting her new husband and his brother to Christianity, with the help of an angelic vision.

She was martyred, and again, according to what we might call ‘the legend’, she was put in a bath of fire and yet remained untouched by the flames. It then took three attempts to kill her by the sword. With her head severed she remained alive for three days, preaching and converting many to the faith. Her body is said to have been exhumed in the sixteenth century and found to be un-corrupt and smelling of roses.

One notable reference to this story is found in Chaucer’s Canterbury Tales, but there were many other re-tellings which were equally fanciful and became prevalent as a form of pious romance. Saintly women were often pledged in love to God alone, even if they were married, to vanquish the transgression of Eve with which they were stained, so becoming bright lights to lift mortal vision.

This is the St Cecilia for whom odes, and poems and songs and anthems have been written, this is the St Cecilia who has been portrayed in art and music as chaste and ethereal, a translator of the songs of heaven for mortal ears.

Will the real St Cecilia please stand up?

Like many other Saints, there is actually very little to say about the real St Cecilia, other than she was probably a Roman Noblewomen who allowed Christians to meet in her home and led a church within it, and therein lies the probable reason for her martyrdom in about the year 230.

Other sources say that Cecilia was a powerful preacher and converted hundreds of people to Christianity. A church was established on the site of her house in Trastevere, Rome and she became one of the most revered martyrs of the Roman Church; one of only seven women in addition to the Virgin Mary, remembered in the Canon of the Mass. Whoever she was, this much is true: She was a Christian. She formed a church in her home. She was martyred for her faith and she has been revered ever since.

Can we compose a story, a hagiography, which does justice to her sanctity and her humanity? A story of her life which acknowledges the tradition we have received, and yet also speaks to us today?

What if ….

As a devout and practising Second Century Christian, Cecilia was a singer. Cecilia was a musician.

Her faith was expressed through song and music and from girlhood she would sing to the Lord with all her heart and her faith was infectious. She fell in love with Valerian, who was not a Christian but day by day, he became enraptured by her music, which she sang to the glory of God.

Perhaps she did sing at her wedding, because she understood that all love was an expression of God’s love for the whole world, and who could not sing upon believing such good news and being embraced by such love?

Perhaps she sang to her husband words from the Song of Solomon, Rise up, my love, my fair one, and come away. For, lo, the winter is past, the rain is over and gone; The flowers appear on the earth; the time of the singing of birds is come, and through her song, he came to faith. So their home together became a house of song, and a house of prayer in the city of Rome.

When she invited other Christians into her home, at great risk to herself and her family, they sang psalms, hymns and spiritual songs together. For Cecilia, the only way to express her love of God was through Song.

Her ‘church’ was a singing church, and as it grew, it sang fervently and loudly to proclaim Christ as Saviour of the world. Its’ choir was augmented by the choir of the redeemed of one hundred and forty four thousand, who joined in from the throne of heaven, and the more these choirs sang together, the more people were drawn in to worship in her little church here on earth. This was music with a mission.

Through her generosity, through her music, through her witness, many came to faith, and the more people who came to faith, the more Cecilia’s ministry became known. People were singing of God’s love everywhere, in the streets, at home, in the market place, old and young, high and low, rich and poor, one with another, the word of God was spreading and the means by which it was spread, was music.

When the Roman authorities caught wind of Cecilia and her singing church, they set out to kill her- they had to silence the song. When they barged into her house with only violence on their lips, she knelt down and sang defiantly as they struck her dead ‘O Give thanks unto the Lord, for he is gracious and his mercy endureth for ever.’ But this was not the end. Her song continued…in her was the life that would never die.

Through the life and witness of St Cecilia we learn that music is both the handmaid of the liturgy and the servant of mission- music and song communicate in ways beyond words alone.  Music and song take us to the heart of heaven and music can help build the church in the world today and it doesn’t even need a church building, it can begin in the heart of the home.

Augustine is believed to have said that to sing is to pray twice, and from the Anthem for St Cecilia’s Day, W H Auden imagines that Cecilia ‘constructed an organ to enlarge her prayer, and notes tremendous from her great engine thundered out on the Roman air’.  Music seems to extend and magnify prayer, to double it. Music is a vehicle for praise, a means of expressing faith with all of our body, our soul and our might.

JS Bach understood, perhaps as St Cecilia did, that music was made ‘to the glory of God’ and would often sign his music: Soli Deo Gloria, or ‘Glory to God alone’, to signify who and what the music was for.

Is the church still a singing church? And who do we sing for?

In our churches, and colleges and cathedrals the tradition of music and song remains, though slightly bruised through the pandemic of the past six months. This music, in many places, is now accessible for all to see and hear, thousands of ‘hits’ as people in their own homes tune in, but perhaps cannot join in. For the singing church is largely silent as it is still forbidden for congregations to gather in worship and sing. How we long to sing of our faith again, with our own lips and not vicariously through others.

There are many ways of making music in praise of God, it can begin simply and humbly in a home. It doesn’t have to be perfect. It doesn’t have to be professional. It just has to be from the heart and directed to the right place, heavenwards. Music is communication. Music is communion.

Can music be the means to share the good news to a world that has forgotten how to sing? Can music be a way to help the world express sorrow and lament at all that happened? Is the church in danger of only ever preaching to the choir rather than encouraging the choir, through music and song, to preach to the whole world?

How can we free our music and let everyone join in? Old and young, high and low, rich and poor, one with another. Can the music of the church, so precious and so powerful, which carries the word of God so effectively, be the very thing we should be sharing with our whole heart, and mind and strength? The very thing that might help the church flourish and grow today? The very thing that might bring people to faith. Is our vocation, as a church, to teach the world to sing to the glory of God alone, as St Cecilia did?

I happen to believe that our God is musical, and that the music of the spheres, the music of creation, the music of love, and the music of the church witnesses to this God.  Music has the power to transform lives to the glory of God. As a church our deepest desire might be to see more people singing, more people knowing the joy of hearing a mighty organ thunder through the air, more people able to hear the new song that is still being sung by Christ the singer.

Christ the singer.

Who sang a hymn in the Garden of Gethsemene, who sang Psalm 22 from the cross, who sang a new creation into being when he rose from the dead.

Blessed Cecilia appear in visions to all musicians, appeal and implore,
That their gift, enlightening, may be shared for the brightening
of Hearts and souls from shore to shore,
At music entrancing, the angels dancing,
Lift up the praises of mortals on earth-
That the Church may sing her song, once again,
To God’s glory alone,  Amen, and Amen.

Watch our Celebration of Music for St Cecelia:

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